It’s hot and bright in Brooklyn and early enough in the season that it doesn’t aggravate me. My dress is insubstantial, equally valid as a fancy top or a beach cover-up. It looks kind of trashy in a way I realize would keep me from going onto the subway, into Manhattan. “Brooklyn is technically a beach town,” I joked, but it’s true. Actual beach aside, the blanket of Prospect Park is pinned down on most corners by traffic circles. It feels like a vacation spot standing at a red light in the middle of one. The first time I ever saw a traffic circle was on Hilton Head Island and “traffic circles are for beach towns” is one of those childhood truths that won’t quite leave me. They seemed to have a sort of power back then – round and round and the traffic circle itself is what spits you out from the normal world into Vacation. Looking kind of trashy is also for beach towns. In adulthood I managed to love the beach a few times a year, turning into a calmer, languid version of myself content to read and drape my limbs and drink stupid drinks. Certain summer days here can bring that back. Brooklyn is my home, the first place in New York where it doesn’t feel like a lie to call it that. I wonder if it’s because I needed to feel connected to an earlier home, an earlier me.
Home – my embarrassing longing for it and how often I feel without it – haunts me more than almost any other idea. I was always planning to write about my home in Hilton Head, South Carolina. There was always a reason to put it off: I needed to visit and be fully immersed in it to do it justice, or I needed to learn to write better first. I treated writing about it like going there – something that seemed inappropriate to approach with less than my best self. But I waited too long and now this is an elegy.