New York City rarely gets the worst of any major weather event, but we love to make a huge thing of what we do get. I was on the street when the fifteen or so minutes of whiteout snow and gale force winds swept through. It seemed briefly possible that I might get blown backwards and away and I found begrudging humor in how in-sync the weather and my emotional state was.
The snow was gone as quickly as it came. Steam puffed upwards into a stunning and unfair sunset. From the huge windows of the Park Slope living room I’m in, snugly tucked among patterned carpets, blankets, and velvet chairs, any wind and single digit temperatures seemed small and quaint. I am the person who lives in the tiny, candlelit house in a snow globe – never in real danger from the dream-of-a-dream of bad weather.
It’s not the first time I’ve been in this room, but it is the first time I’ve been alone, in a crisis, in this room. This beautiful apartment on the top floor of a historic townhouse is inherently comforting. It’s not just because it belongs to dear friends who are absurdly good to me. The warm wall paint, the rich wood – it’s made entirely of things that signify security. It’s a very straightforward version of not-my-home-but-feels-like-home. Other places in my life that feel like home are so because they were built through time and joy and trauma. The things that forged those places can also make them unstable. There’s something easy and soothing about inhabiting a fireplace and sweater catalog image of home instead.
There’s no easy way to short-circuit the worst of human pain, but there are weird and laser-specific moods you discover. The tautness of everything you are as you walk knowingly into an unbearably shitty thing. The rush and melodrama of explaining your sadness to someone when it’s still an Event. And I’ve found the shape of another packaged, artisanal emotional experience in the past few days.
The sun is setting again and I can see nothing but those puffs of smoke and this Brooklyn that feels like it can’t be the same one I live in. In a way it’s a reverse “other people’s windows” feeling. Right now I’m afraid of that feeling. Up here, I’m safe behind a window other people can’t look into. Even the annoying sobs I let out last night felt a step removed; the appropriate crying of a girl in a TV show about wealthy people. Part of me thinks the gutting won’t come if I stay suspended figuratively and actually up here, padding around (in borrowed clothes, which somehow adds to it all) in this version of Myself in Pain that’s edited and polished.
You learn something new every day. I’ll go back down eventually.
My grandmother’s middle name is Christine. My mom’s middle name is Christine. My middle name is Anne. Growing up, I hated that – to me pointless – choice to break tradition. “Molly Christine” was more interesting, more romantic. It could have been a small comfort to me in all the years I hated both my names and longed for something feminine and flowery like Rose or Violet. My mom always said that she wanted to name me something that worked in all stages of life. She wasn’t fond of the popular choices of my era like Katie or Brittany. If not Molly, might have been Anne Elizabeth or Elizabeth Anne (called Liza).
Molly is perky, clipped, and short. It wasn’t common, but it didn’t feel special. The one or two others at school were always sportier or cheerier than I was. Famous examples real and fictional (Malone, Brown, Bloom, Ringwald, et al.) likewise seemed cut from a different cloth entirely. And Anne…well I often prefaced it with “and the most boring middle name ever.”
I’m huddled in an airport bar at JFK, more than three hours before my flight to Albuquerque. Even with the wide margin of error, my anxiety spiked in the car on the way over. This trip has been a fixed mark for months and now, as it’s happening, part of my mind is bracing for something to make it impossible. The giddy, exciting side of anticipation has always been basically inaccessible for me until I cross some threshold that confirms the awaited thing will actually come. This confirmation can be superstitious. It just has to feel safe. There is a point where waiting can feel good. It’s the feeling of sitting in a restaurant when you know someone is meeting you or a theater when you’re seated but the curtain hasn’t gone up. Getting through security at the airport does this, too, even though things could still go wrong.
Besides, I have a soft spot for airport bars. Drinking alone in them still makes me feel special and like an adult in a way that isn’t depressing like most other things about feeling adult. Maybe it’s because they’re so often places where I experience that rare high of waiting. Most forms of travel are romantic, even down to the subway, so it could be that a little of that train station anything can happen aura rubbed off onto the overpriced restaurants at JFK. Airport bars are not glamorous. Look even a little closely and it falls apart, but the illusion persists for me.
I used to think that this kind of waiting was the happiest a person could be in life; when against our better judgment we let the optimism and potential get to us without the edge and disappointment of reality. I was sort of right. It wasn’t safe to believe you’d arrive or could rest in anything. Maybe I didn’t realize that it’s possible to take it too far and never remember to stop and take inventory of everything. This is the second time I’ve flown to ABQ. This time I’m alone. But I’m going towards (and back) to something. The other day my boyfriend said “you’ll be home soon,” referring to this flight, this day. I don’t know if it was a slip on his part. Either way, it feels true.